Saturday 3 October 2020


d./w. Paul Matthews; w. Liz Matthews; cast: Emmanuel Xuereb, Kadamba Simmons, Jack Chancer, Michael Fitzpatrick, Tres Hanley, Jules de Jongh, Nesba Crenshaw, Nadia DeLemeny, Louise Hickson, Peter Tregloan

Confused and generic, Grim deserves props for being produced in 1995, the absolute doldrums of British genre cinema. PeakViewing Transatlantic, a Cheltenham-based, sibling-run construction firm turned production company, was a big fish in this small pond from the mid-nineties to the mid-naughties. Investigating subsidence under an allegedly American but obviously British housing estate, seven people explore a cavern/mine network where they discover a troll-like monster halfway between Rawhead Rex and Trog. Despite its animalistic appearance, ‘Grim’ wears (ragged) clothes and dextrously uses implements including chains and a meat cleaver. Also, it can magically walk through solid rock. There are no discernable characters, no explanation/motivation for anything and the ending is inexplicable. Every so often, the cast remember they’re meant to be American. Unlike The Descent, this was shot in real caves, with DP Alan M Trow (who also shot The Comic!) making a good job of the 16mm photography. Creature suit by Neill Gorton, whose name is spelled wrong in the titles. The feature debut of tragic starlet Kadamba Simmons.

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