Released less than a year after Grindhouse Nightmares, Driscoll’s
seventh feature is a rambling, crime-action-noir-horror-superhero-vigilante
hodgepodge with all the narrative coherence of a trailer compilation. Madsen
(seen only in stock driving footage and one scene with Bergin) is an ex-cop hunting
down millionaire psycho William Bard (Driscoll/Craine) who becomes Joker
rip-off ‘The Comedian’ after his face is slashed. Bergin is a corrupt New York
Mayor; Ling is an exotic dancer who springs Bard from jail; Lynley is Bard’s mother
in a Batman rip-off flashback – and Daly is Elizabeth Bathory (or ‘Bathroy’ – inconsistent
character names abound). Her irrelevant extended cameo – bathing in either milk
or virgin’s blood – is bizarre, even by the standards of a film which seems to
change style and plot every five minutes. Some scenes consist almost entirely
of badly drawn comic panels with misspelled captions. Stealing ideas/imagery
from Kick-Ass, Suicide Squad and especially Sin City, this was filmed (as The
Black Knight) in Cornwall and Sheffield in January 2017 with a few green-screen
days in LA. With Steve Munroe as a pimp, a teacher named Mary Shelley, a random
raven death and Driscoll reciting the opening monologue from Richard III. But
no assassins. Sequel The Kamikaze Squad is threatened at the end.
Driscoll
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