Monday, 2 January 2017

11 new British horror films coming your way in 2017

Based on previous years, we can expect about 75-80 British horror films to make their debut in 2017. Here are eleven that have announced release dates so far...

The Snare

dir. CA Cooper
"Three friends head to the seafront for a drunken weekend, only to be imprisoned on the top floor of their holiday apartment by a malevolent paranormal force."

A Room to Die For

dir. Dev Shanmugam
"Marcus Crowe is a failed writer who struggles with reality. His girlfriend, Jill, is desperate for Marcus to pursue a proper career. Broke, the couple find a perfect room to rent owned by an old couple, Henry and Josephine Baker, who take a keen interest in the young couple’s lives. They are shocked when told the old couple have a new born baby. Stuck in the house 24-7 Marcus spirals into paranoia and believes the old couple is spying on them. When he finds the horrifying truth behind the baby, the old couple’s real reason for renting the room is revealed."
  • Originally titled Rancour.
  • Jon Campling and Vas Blackwood head the cast.
  • UK DVD released on 16th January.
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Prevenge

dir. Alice Lowe
"A pitch black, wryly British comedy from the mind of Alice Lowe, Prevenge follows Ruth, a pregnant woman on a killing spree. It's her misanthropic unborn baby dictating Ruth's actions, holding society responsible for the absence of a father. The child speaks to Ruth from the womb, coaching her to lure and ultimately kill her unsuspecting victims. Struggling with her conscience, loneliness, and a strange strain of prepartum madness, Ruth must ultimately choose between redemption and destruction at the moment of motherhood."
  • Directed by and starring Lowe, star of Sightseers, during her own pregnancy.
  • UK tour with director Q&As kicks off on 16th January.
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Cruel Summer

dir. Phillip Escott and Craig Newman
"Danny, a teenager with autism, escapes the inner city for the beautiful countryside as part of his Duke of Edinburgh Award scheme. Little does he know, that bitter Nicholas is hunting him, stemming frpm a lie created by the enamoured and envious Julia and Calvin. As the three close in on Danny, Nicholas' behaviour becomes increasingly erratic and violent, and Julia and Calvin must decide whether to go through with Nicholas' deadly plan."

Fox Trap

dir. Jamie Weston
"After a terrible accident leaves a young girl disabled, five years later, the group responsible are invited to a remote manor house in the countryside for a class reunion. Little do they know, they are being targeted by a masked maniac hell bent on revenge."

Don’t Knock Twice

dir. Caradog James
"To save her estranged daughter, a guilt-ridden mother must uncover the terrifying truth behind the urban legend of a vengeful, demonic witch."
  • From the writing team behind Howl.
  • German DVD out on 24th February.
  • UK cinema/DVD/VOD release scheduled for 31st March.
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The Creature Below 

dir. Stewart Sparke
"During a traumatic accident whilst on a deep-sea dive in the depths of the Atlantic Ocean, Olive, a gifted, young marine-biologist discovers an unearthly creature. Losing her dream job, Olive smuggles the creature home, intent on studying it in her basement, unbeknownst to her devoted boyfriend Matt. Whilst struggling to re-adjust to landlocked life and recover from her recent trauma, Olive begins to realize that she and the creature share a symbiotic bond that drives her to carry out its sinister will. Plagued by gruesome nightmares, her fractured memories of what happened during the accident in the depths of the ocean begin to unravel and reveal an eldritch horror far older and malevolent than she could ever imagine, one which she has unwittingly set free. Olive's obsession leads to madness as her discovery consumes her entire humanity, with deadly results for those around her."
  • Originally titled The Dark Below.
  • US DVD released on 28th February.
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Necrophiliac: The Lustful Dead

dir. Jason Impey and Wade Radford
"Necrophiliac: The Lustful Dead contains the raw footage that was recovered from deceased Documentarian, Joe Newton after he had recorded the shocking and taboo lifestyle of Haydn Reef. The tapes have finally been recovered from the grizzly crime scene that took the media by storm. Joe Newton was found murdered in Haydn's home from what appears to have been foul play. The case remains unsolved."
  • US DVD released on 14th March
  • Jason Impey's website

Ibiza Undead

dir. Andy Edwards
"The Inbetweeners meets Shaun of the Dead in this riotously entertaining British zombie film. A group of young people head to Ibiza for the holiday of a lifetime - all the sun, sea and debauchery they can handle. Leaving the girls behind, the lads get in to an exclusive club where the performers are the undead. But one of the lads’ drunken antics lead to the zombies escaping their restraints… Soon all hell breaks loose and no one on the party island is safe."

Ghosts of Darkness

dir. David Ryan Keith
"Two paranormal investigators are unexpectedly thrown together in the hope of solving a 100 year mystery. Locked for three nights in a house with a dark and unsettling past, the two investigators must put their differences to one side and work together. They soon discover the myths and stories are nothing compared to what actually resides within the eerie walls of the mysterious House. Scepticism and showmanship are soon put to one side when the two investigators realise there is more at stake than just their professional reputation. For once they have stumbled onto the real thing, but this time it’s their own lives at stake."
  • From the director of Attack of the Herbals and The Redwood Massacre.
  • Originally titled Soulreaper, aka House of Shadows.
  • UK DVD/VOD release expected in March.
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The Chamber

dir. Ben Parker
"The Chamber revolves around a special ops unit, who commandeer a commercial research vessel and it’s submersible to locate a mysterious object at the bottom of the Yellow Sea. When an explosion causes the sub to overturn and take on water, the crew begins to understand that not all of them will escape and a fight for survival ensues."
  • Music by James Dean Bradfield of the Manic Street Preachers.
  • Scheduled to open in UK cinemas in March.
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What other British horror films are heading our way in 2017. Which ones are you most looking forward to? Leave a comment below.

Sunday, 1 January 2017

Checklist of 2016 British horror releases

There were 78 (wait: 79!) British horror movies released in 2016. How many have you seen?

For more details of films and releases see Part 1: January-June and Part 2: July-December.
  • The Apostate: Call of the Revenant (d.Andy Dodd)
  • The Attachment (d.Clement Ofoedu) 
  • The Autopsy of Jane Doe (d.Andre Ovredal)
  • Bachelor Games aka The Rules of the Game (d.Edward McGown)
  • Banjo – see My Bloody Banjo
  • The Beast of Bodmin Moor (d.Adam Starks)
  • Belly of the Bulldog – see Tank 432
  • The Blood Harvest (d.George Clarke)
  • Blood Lust aka Siren Song aka Siren (d.Benedict Mart)
  • Broken aka The Myth of Hopelessness (d.Shaun Robert Smith) 
  • Call Me – see Serial Kaller
  • The Carrier (d.Anthony Woodley) 
  • Cleaver: Rise of the Killer Clown (d.MJ Dixon)
  • Cryptic (d.Bart Ruspoli and Freddie Hutton-Mills)
  • The Curse of Robert aka The Curse of Robert the Doll (d.Andrew Jones)
  • The Curse of Robert the Doll – see The Curse of Robert
  • The Darkest Dawn (d.Drew Casson) 
  • Dark Signal (d.Ed Evers-Swindell)
  • Dead and Awake (d.Alexander Fodor) 
  • Deadly Intent (d.Rebekah Fortune) 
  • Death Walks (d.Spencer Hawken) 
  • The Demon Within aka 666: A Demon Within (d.Harold Gasnier)
  • Demons (d.Michael Munn)
  • The Devil Complex – see The Devil Within
  • Devil Dog Shuck Returns (d.Paul TT Easter)
  • The Devil Within aka The Devil Complex (d.Mark Evans)
  • Evil Souls (d. Roberto and Maurizio Del Piccolo)
  • The Exorcism of Anna Ecklund (d.Andrew Jones)
  • Female Zombie Riot – see Zombie Women of Satan 2
  • FirstBorn (d.Nirpal Bhogal)
  • Fluid Boy (d.Jason Impey and Wade Radford)
  • Footsoldier – see Survival Instinct
  • The Forgotten (d.Oliver Frampton)
  • Generation Z – see The Rezort
  • The Girl with All the Gifts aka She Who Brings Gifts (d.Colm McCarthy)
  • Good Tidings (d.Stuart W Bedford)
  • Hangman (d.Adam Mason)
  • The Hatching (d.Michael Anderson) 
  • The Haunting of Maria Marten (d.Michael Munn)
  • Hollower (d.MJ Dixon)
  • House of Afflictions aka Ominous (d.Anthony M Winson)
  • The House on Cuckoo Lane (d.David Hinds)
  • Immune (d.Steven Tayler)
  • I was a Teenage Merman (d.Tom Stavely)
  • Jacob – see Jacob’s Hammer
  • Jacob’s Hammer aka Jacob (d.Angie Bojtler) 
  • Kill Command (d.Steve Gomez)
  • K-Shop (d.Dan Pringle) 
  • Laboratory of Terror – see War Truck Disaster Drive
  • The Lesson (d.Ruth Platt)
  • Let’s Be Evil (d.Martin Owen)
  • The Lighthouse (d.Chris Crow)
  • The Lorelei (d.Mol Smith) 
  • My Bloody Banjo aka Banjo (d.Liam Regan) 
  • My Guardian Angel (d.Mumtaz Yildirimlar)
  • The Myth of Hopelessness – see Broken
  • Nekros (d.Michael J Murphy)
  • Ominous – see House of Afflictions
  • Once Upon a Haunting (d.Michael Munn)
  • The Ones Below (d. David Farr)
  • Onus (d.George Clarke)
  • The Other Side of the Door (d.Johannes Roberts)
  • Pandorica (d.Tom Paton) 
  • The Passing aka Yr Ymadawiad (d.Gareth Bryn)
  • Plan Z (d.Stuart Brennan) 
  • Preternatural (d.Gav Chuckie Steel)
  • Razors: The Return of Jack the Ripper (d.Ian Powell and Karl Ward)
  • A Reckoning aka Straw Man (d. AD Barker) 
  • The Rezort aka Generation Z (d.Steve Barker)
  • Rites of Passage – see Survival Instinct
  • The Rules of the Game – see Bachelor Games
  • The Search Ends (d.Daniel Franks) 
  • Serial Kaller aka Call Me (d.Dan Brownlie)
  • The Sheltered (d.Dean Eyre, Gary Morgan and Martin Dallard)
  • She Who Brings Gifts – see The Girl with All the Gifts
  • Simon (d. Warren Badenski) 
  • Siren– see Blood Lust
  • Siren Song – see Blood Lust
  • The Slayers (d.John Williams) 
  • The Spiritualist (d.Carl Medland)
  • Straw Man – see A Reckoning
  • Survival Instinct aka Footsoldier aka Rites of Passage (d.Steve Lawson)
  • Tank 432 aka Belly of the Bulldog (d.Nick Gillespie)
  • Tear Me Apart (d.Alex Lightman) 
  • Torn: A Shock Youmentary (d.Justin Carter) 
  • Toxic Apocalypse aka The Wrong Floor (d.Marc Hamill)
  • The Trap (d.Fergus March) 
  • Under the Shadow (d.Babak Anvari)
  • The Unfolding (d.Eugene McGing)
  • Vampires: Lucas Rising (d.Jason Davitt)
  • Video Killer (d.Richard Mansfield)
  • War Truck Disaster Drive aka Laboratory of Terror (d.Ewan Rigg)
  • The Watcher Self (d.Matt Cruse) 
  • Worst Fears (d.Keith Claxton)
  • The Wrong Floor – see Toxic Apocalypse
  • Yr Ymadawiad – see The Passing
  • ZK3 (d.Michael J Murphy)
  • Zombies in tha Hood (d. Leon Mitchell)
  • Zombie Women of Satan 2 aka Female Zombie Riot (d.Warren Speed and Chris Greenwood)
  • 666: A Demon Within – see The Demon Within

All the British horror films released in 2016, Part 2: July-December

So here’s Part 2 of the 2016 British horror retrospective, covering July to December. If you missed it, here’s Part 1. And here’s a full alphabetical list of all 78 (wait: 79!) movies released this year.

2016 saw the release of several films that seemed to have been lost in limbo for several years including Angie Bojtler’s Jacob’s Hammer. Filmed back in February 2011 (as Jacob) this ‘evil child’ shocker unexpectedly popped up on American DVD in July 2016 after five and a half years down the back of the distribution sofa. Edward McGowan’s entry in the small ‘stag weekend gone wrong’ subgenre, Bachelor Games, was more recent, having been shot (in Argentina, as The Rules of the Game) in 2013. This had a VOD release in July with a US disc following in November.

Three other releases for July, all on British DVD. Michael Munn’s Demons, his second release of the year, was an entry in the even smaller ‘hen weekend gone wrong’ subgenre, with a bride-to-be and her friends forced to stay in a creepy house when their car breaks down. Zombies in tha Hood was a zero-budget zomcom by Leon Mitchell and Ross Strowthers. Whereabouts in Britain is ‘tha Hood’, you ask? Why, Peterborough of course, ma homie. Fo shizzle. Or something. Olympic gymnast Louis Smith has a cameo in that one. And Worst Fears was a flatpack anthology of recent-ish shorts all written by the legendary David McGillivray. Keith Claxton directed these/this, with a release through Jake West’s Nucleus Films.

August saw not one but two films from the always watchable Mycho Pictures stable. Director MJ Dixon and producer Anna McCarthy (who are scheduled to get married any day now, I believe – congratulations) are gradually building up a distinct fictional universe centred on their first release, 2012’s Slasher House. New to the ‘Mychoverse’ on UK DVD thus month were Hollower, a spooky murder investigation/flashback with Nicholas Vince as the detective, and Cleaver: Rise of the Killer Clown, a coulrophobic homage to Halloween. Slasher House 2 will be out next year.

Nick Gillespie’s Tank 432 (originally Belly of the Bulldog) was a claustrophobic military horror about some soldiers and their prisoners taking shelter inside an abandoned military vehicle. Michael Smiley and Gordon Kennedy were recognisable faces among the cast, That was released on UK disc in August, as was Dan Pringle’s modern take on Sweeney Todd, K-Shop. If you’ve ever wondered precisely what sort of meat goes into a kebab… well, don’t. There was a US disc of David Hinds’ The House on Cuckoo Lane, about a Satanic video nasty. And there was a VOD release for Martin Owen’s ‘augmented reality’ horror Let’s Be Evil, about gifted kids being studied in a research facility.

September brought us the two most high-profile British horror releases of the year. It’s a sobering thought that, despite the vast number of BHR films being made and released, most remain unknown to most horror fans and almost all are unknown to mainstream film-watchers. Of last year’s crop of 89 British horror movies, the only two that might score some degree of title recognition with the average person browsing Netflix or Amazon would be The Woman in Black: Angel of Death and, just possibly, Monsters: Dark Continent. In both cases, that’s because they were sequels to very successful films. To find the last good, non-sequel British horror film that achieved any sort of mainstream awareness one has to go back to the release of Under the Skin in March 2014.

Is it any wonder then that Mark Kermode, a mainstream film critic who admits to being a horror fan but whose job watching endless mainstream movies means his  knowledge of the genre is solidly conventional, saw the near-simultaneous theatrical release of The Girl with All the Gifts and Under the Shadow as some sort of resurgence of UK horror cinema. Because mainstream film media measure a movie’s success by cinematic box office receipts and newspaper column inches, so 99% of UK frightflicks simply don’t exist as far as they are concerned.

Anyway, rant over. British Horror Revival was the first website to run a still from Girl… last December (when it was still called She Who Brings Gifts) and I’m delighted to say the film didn’t disappoint. Shadow was set in Tehran, filmed in Jordan with dialogue entirely in Farsi, which shows how varied British horror can be. A big winner at the BIFAs, it is the UK’s official submission for Best Foreign Language Film at the Oscars. Both UK DVDs are due on 23rd January.

Also out on UK disc in September was the year’s second Andrew Jones film, a sequel to last year’s creepy doll feature Robert, entitled The Curse of Robert. (Could be a new franchise in the offing there. Coming soon: Bride of Robert, Son of Robert, Robert Must be Destroyed and Robert Meets the Wolf Man. Or maybe not.) And there was a US disc of Video Killer, the latest creepily effective low-budget shocker from Richard Mansfield (The Mothman Curse).

Three films emerged onto VOD this month. There was Warren Badenski’s Simon, a simple, tense cat-and-mouse thriller about a serial killer and an investigative journalist. In contrast, there was Alexander Fodor’s Dead and Awake, in which a woman who has killed her husband and stuffed him in her car boot breaks down near a house where a gang of criminals are holding a psychic girl they have kidnapped. Yes, that hoary old premise again. You can also buy this on DVD via eBay. And Clement Ofoedu’s The Attachment is… something to do with possession and exorcism or something. I’ve not seen it myself and the synopsis is kind of vague but there’s definitely some sort of evil paranormal entity in there somewhere.

And thus we come to busy October (eleven films) and sparse November (just three), the annual distortion cause by films being shuffled forward for Halloween. Highlights for me were Stuart Brennan’s impressively bleak zombie feature Plan Z (on US DVD, with a limited UK theatrical release in November); Liam Regan’s uproarious love-letter to Troma Banjo (released on VOD as My Bloody Banjo); and Warren Speed’s insane sequel Zombie Women of Satan 2 (on UK disc, with a retitled US release scheduled for February).

A slew of October VOD releases included The Darkest Dawn, Drew Casson’s sequel to his end-of-the-world found footager Hungerford. Shaun Robert Smith’s acclaimed Broken (originally The Myth of Hopelessness, not to be confused with the 2007 Adam Mason Broken) centred on the relationship between a British tetraplegic and his French carer. Carl Medland’s The Spiritualist (produced by Mumtaz Yildirimlar) has a woman seeking escape from the ghost of her mother. Mol Smith’s The Lorelei is ostensibly a serial killer movie set in Oxfordshire but, as the title suggests, there’s more to the tale and it’s something spooky and aquatic. Probably.

Directed by Spencer Hawken, Death Walks is a community-made zombie film which was temporarily available free online via the Terror Film Festival. You’ve missed your chance to see that for now, but one film you can watch free online is I was a Teenage Merman, the latest from Twit Twoo Films. You won’t find any half-human, half-fish creatures in Chris (Panic Button) Crow’s The Lighthouse though there is a lot of water. Based on a true incident in 1801 when a freak storm left two lighthouse keepers cut off for months, it’s billed as a “tale of death, madness and isolation.” Finally this month, at the other end of the 19th century we have Jack the Ripper, who so rarely gets a look-in on screen nowadays. Jointly directed by Ian Powell and Karl Ward, Razors: The Return of Jack the Ripper concerns an aspiring screenwriter who believes she has found the knives used by Saucy Jack all those years ago. The US disc was released in late October but actually preceded, by a couple of weeks, by a wide theatrical release in Brazil. No, honestly.

November’s films included Adam Starks’ big cat horror comedy The Beast of Bodmin Moor (free to view on the Tube that’s You) and Michael Munn scoring a 2016 hat-trick with The Haunting of Maria Marten. Homage to Tod Slaughter? I do hope so!

What’s that you say? I claimed there were three British horror films released in November so what’s the other one? I’m glad you asked, for it was a VOD release of the action-horror-comedy-grindhouse classic The Wrong Floor, directed by Mr Marc Hamill. The title has been changed to Toxic Apocalypse (there’s no apocalypse, but there is toxic stuff) and the awesome poster by The Dude Designs featuring a wee image of Yours Truly has been replaced by a generic design that makes this look like a zombie film (there are precisely zero zombies). But the film itself remains the same incredible, genre-busting, take-no-prisoners epic that Marc and his brother Carl (in the lead role) have spent the last four years making at their dad’s shoe warehouse in Coalville (other locations include Spain and the University of Leicester). As I may have mentioned once or twice, this is my first major role in a feature and, while I won’t be troubling the BAFTAs anytime soon, it was enormous fun and I’m available for work. The Boy has two small roles in the film, one of which always gets a laugh.

Which just leaves time to round up December’s releases. The Autopsy of Jane Doe, directed by Andre Ovredal (Troll Hunter), which played US theatres, is listed by some sources as a UK film and by other as American. It was entirely funded by the reborn Goldcrest Films of London so by my reckoning if someone British paid for it, then someone British owns it and that makes it a British film. Stuart W Bedford’s Good Tidings is a festive slasher about three escaped mental patients in Santa outfits slaughtering a community of homeless people, while The Slayers, about two naïve young men mixed up in a vampire-hunting racket, was the sophomore effort from Stoke director John Williams (The Mothertown). The former was released on VOD, the latter on UK disc; both screened at the first Grindhouse Planet Film Festival here in Leicester organised by Wrong Floor director Marc Hamill.

And we finish Part 2 of this look back on the British horror releases of 2016 as we began Part 1: with a George Clarke film. Partly shot in Norway, and predating The Blood Harvest, Onus starts with two men waking up, chained together, with loaded guns fixed to their hands. Left Films brought the year to a close by releasing this on UK DVD on Boxing Day.

That’s it. Those were all the new British horror films given their first commercial release in 2016. Or were they? Know of something I missed? Spotted something I’ve got wrong? Or just want to offer your opinion on one of these 78 movies? Please leave a comment below.

Stop press. Just discovered that Nirpal Bhogal's FirstBorn, written by Sean Hogan (The Devil's Business), which is about evil forces attacking a baby - which I had listed as a January 2017 release - popped up on iTunes on Boxing Day. So that's actually 79.

Saturday, 31 December 2016

Andrew Tiernan's 'UK18' - horror?

Andrew Tiernan is well-known as an actor  (The Bunker, Snuff-Movie, Quatermass Experiment remake) but also dabbles in directing. His first feature, Dragonfly, is on my masterlist of 21st Century British Horror. It's a police procedural thriller which sounds somewhat borderline but this review mentions "As DS Blake becomes more involved with the Corrine Grosvenor case, his life descends into a world of conspiracy and human sacrifice via a website named ‘Dragonfly’." Human sacrifice sounds like horror so ut's on the list until I either watch it or get more information.

Tiernan's second feature, UK18, was released on Vimeo on Demand on 23rd December. The IMDB lists it as 'horror' but on the film's Facebook page the genre is cited as "Independent Arthouse Thriller Drama Documentary" - which covers almost every cinematic genre except horror (and musical).

The synopsis reads: "2018: neo-fascism has taken over. The Government implements a program to chip the population of the UK. Eloise (Shona McWilliams) a documentary film-maker suspects she is being brainwashed by a secret Government organisation."

To me that doesn't sound like a horror film so it's not going on the masterlist just yet. Hence the 2016 list is staying at 78 films for now. Well, actually 79 - I've found another one since I posted Part 1 this morning.

However, if UK18 turns out to have horror content, or gets covered by horror film media, I might yet add it to the masterlist.

All the British horror films released in 2016, Part 1: January-June

To the best of my knowledge, 78 British horror films were released in 2016. Since there are usually about five to ten films whose releases only become apparent later, we’re really talking of 83-88(-ish) films. This is about average for recent years, although it’s slightly down on 2015 when I listed 83 movies in my year-end round-up, subsequently expanded to 89 on my master list.

January kicked off with a DVD release of The Blood Harvest, the fifth feature from Northern Ireland director George Clarke. Though not without its problems, notably a disconnect between the main serial killer story and the sci-fi resolution, this was a distinct improvement on most of his earlier films. There was also a DVD of The Carrier, directed by Anthony Woodley (Outpost 11). Escaping a deadly plague on an airliner bound for Greenland, a group of survivors find the contagion is aboard with them.

Fergus March’s The Trap ran for three nights at a cinema in Islington, which is about the minimum that can be considered a theatrical release by my house rules. It’s a comedy horror in which two groups – “professional cat burglars” and “young, misfit jobseekers on a team building exercise” – negotiate deadly traps set by an overzealous security guard. It has since played some festivals but there’s no home release as yet. There was a US disc of Dan Brownlie’s Serial Kaller about a group of models trapped inside a recording studio, hunted down by a mentally unstable fan. The all-star cast includes Dani Thompson (also co-writer), Suzi Lorraine, Debbie Rochon and Stuart Brennan. Also, two films popped up unexpectedly on YouTube this month: Justin Carter’s Devon-set found-footager TORN: A Shock YOUmentary and Andy Dodd’s impressive study in psychopathy The Apostate: Call of the Revenant (featuring Terry Dwyer from Loose Women as a cop).

February saw a limited theatrical release, courtesy of Film Volt, for Steve Lawson’s cracking cat-and-mouse horror-thriller Rites of Passage, retitled as Survival Instinct. When it arrived on DVD in June the title had changed again to the meaningless Footsoldier. Another East Midlands film-maker, Anthony M Winson, saw his latest ghost story House of Afflictions (filmed as Ominous) released on US disc. There were British DVDs of Evil Souls, a fine Anglo-Italian shocker from the del Piccolo brothers who previously brought us The Hounds, and Cryptic, a gangsters/vampires mash-up from the team who gave us the awful World War Dead: Rise of the Fallen. The strong cast included Robert Glenister, Ray Panthaki and Vas Blackwood.

At the microbudget end of the scale, there was The Sheltered, a curious 2013-shot feature about werewolves running a homeless hostel, and Devil Dog Shuck Returns, the latest crazy epic from Paul TT Easter. Both of those were on YouTube. And there were VOD releases for two significant films: Ruth Platt’s acclaimed The Lesson, with two schoolkids pushing a teacher too far, and Hangman, the first British film since 2007 for Adam Mason (The Devil’s Chair).

March was a busy month for British horror fans, not least because the complete works of the late Michael J Murphy were released to YouTube, including two features never seen before. ZK3 and Nekros are strictly for Murphy fans, of which there are a surprising amount. I don’t think there’s actually more than about 15-20 of them, truth be told, but you know, even that many is surprising. But not as surprising as the American DVD release, after a mere eight years on the shelf, of Harold Gasnier’s 2008 feature The Demon Within (as 666: A Demon Within). Up to now I think I was the only person who had ever seen this. Who knows, perhaps I still am.

Johannes Roberts’ Indian-set Monkey’s Paw-style chiller The Other Side of the Door played cinemas on both sides of the Atlantic in March, with a US disc following in June. There was also a limited theatrical release for David Farr’s creepy The Ones Below, about new parents and their downstairs neighbours. Tom Paton’s ambitious scifi-horror Pandorica didn’t actually play cinemas until April but is listed here because of a March VOD release. There were also VOD releases for Eugene McGing’s paranormal investigation found-footager The Unfolding (via Frightfest) and Matt Cruse’s “psychosexual chiller about one woman's descent into hell” The Watcher Self.

A priest, a Vatican investigator and a possessed housewife could be the set up for joke but is actually the principal cast of The Exorcism of Anna Ecklund, the March disc of which was the first of two releases this year from Andrew Jones North Bank Entertainment. Another prolific name in modern British horror, Sir Jason d’Impey, saw a US DVD release for his amazingly powerful and transgressive three-hander Fluid Boy. There was also a US disc of Michael Anderson’s The Hatching, a creature feature about a ravenous crocodile prowling the Somerset Levels. Potential croc-food includes Andrew-Lee Potts, Thomas Turgoose and (please let it be him) ‘comedian’ Justin Lee Collins. German and Japanese releases followed but nothing in the UK yet.

Another British film that was without honour in its own country was Steve (Outpost) Barker’s  ‘Jurassic Park but it’s zombies’ romp The Rezort aka Generation Z. This played Spanish cinemas in April with a Spanish disc in July but won’t hit UK shelves until January 2017. There were more zombies in Immune, directed in Coventry by Steven Taylor and released on VOD. Blink and you’ll miss brief appearances by Yours Truly and The Boy. Equally post-apocalyptic – but zombieless – was AD Barker’s A Reckoning aka Straw Man which finally emerged onto YouTube. Fans of Neil Marshall movies will be interested in this long-awaited indie, shot back in 2009, as it stars Leslie Simpson and Axelle Carolyn.

There was a theatrical release (and much acclaim) for Gareth Bryn’s The Passing aka Yr Ymadawiad, the first British horror feature shot entirely in Welsh. Rising star Holly Jacobson (currently in post on her own short film Harry and Grace) was frighteningly intense as creepy twins in Mumtaz Yildirimlar’s My Guardian Angel, out on US disc this month. There was also a disturbing child central to (and staring from the poster of) Rebekah Fortune’s Deadly Intent. Finally for April, Michael Munn of Martello Films makes the first of an impressive three entries on this list with his self-released debut feature Once Upon a Haunting.

May brought us Benedict Mart’s feature about a woman luring a man to his doom on a little island. Originally entitled Siren (when I wrote an early treatment) this was shot as Siren Song to avoid confusion with Andrew Hull’s 2011 BHR film but was released on US DVD as Blood Lust (which could have caused confusion with Richard Johnstone’s 2015 BHR film Bloodlust if that hadn’t been retitled Vampires – try and keep up). In Germany it was called #Cannibal Island (yes, with a hashtag). C Thomas Howell was the token Yank providing name value.

Neil Marshall lent his name value as executive producer to haunted radio station saga Dark Signal, the long-awaited second feature from Infestation director Ed Evers-Swindell (who provided all the Crawler voices in The Descent). Hour-long YouTube video The Search Ends was, I guess not unexpectedly, the sequel to a half-hour short called The Search Goes On. Directed by Daniel Franks, it’s something to do with a missing boy and an evil spirit. Not sure if there’s a first film called The Search Kicks Off. And there was a VOD release for Preternatural, a recursive tale of film-makers getting spooked, directed by Gav Chuckie Steel (The Shadow of Death).

Three UK DVDs of UK films released this month were: Oliver Frampton’s The Forgotten (spooky goings-on on a semi-derelict council estate); Mark Evans’ Transylvania-set found footager The Devil Complex aka The Devil Within; and Steve Gomez’s scifi/action/horror mash-up Kill Command.

June was a bit quieter with only two British horror films released. There was a US disc of Vampires: Lucas Rising, the second feature-length re-edit from Jason Davitt’s LGBT shirtless serial Vampires: Brighter in Darkness. And a VOD release for Alex Lightman’s bleak story of post-apocalyptic sibling rivalry, Tear Me Apart.

Stay tuned for July-December, posting tomorrow along with an alphabetical checklist.

Wednesday, 21 December 2016

My top ten British horror films of 2016

In January I will do my annual round-up of British horror releases, once again totalling more than 70 films. For now, here are the ten (well, eleven) best that I’ve seen among this year’s releases, listed in chronological order.

Footsoldier

dir. Steve Lawson
Gripping horror-thriller about an enraged hunter chasing a young woman through a forest after a tragic accident. Shot as Rites of Passage. Theatrical release (as Survival Instinct) in February. UK DVD with third title in June.
  • My review: “Helen Crevel is simply awesome in the lead role, capturing the confusion, realisation, horror, hope and determination of an ordinary person suddenly facing an extraordinary, potentially lethal situation.”

The Other Side of the Door

dir. Johannes Roberts
Spooky ghost story set and shot in India, with echoes of The Monkey’s Paw. British theatrical release in March, US disc in June. Watch out for Jo Roberts’ shark film 47 Metres Down in 2017.
  • My review: “Without going into detail, things get worse and worse, deadlier and deadlier. Jo does a great job of twisting the knife, showing his years of horror film-making experience.”

Fluid Boy

dir. Jason Impey and Wade Radford
Disturbing, transgressive three-hander in which an actress auditioning for a zombie film is abused by her potential co-star while the director does nothing. Echoes of Fight Club, maybe? DVD in March.
  • My review: “Even by Jason Impey’s standards, Fluid Boy is a nasty piece of work: a brutal, unpleasant, unbelievably misogynist film which is as simple and stark as it is violent and revolting. … It bolsters Impey’s position as an important name in the British Horror Revival.”

Cleaver: Rise of the Killer Clown and Hollower

dir. MJ Dixon
Two prequels to Slasher House, both released on DVD in August. Cleaver is a stylish Halloween homage, Hollower is a disturbingly creepy police procedural.
  • My review: “What appears at first to be a straightforward coulrophobic slasher turns out to have layers that are revealed in the third act. Not everyone is who we assume they are, or doing what we assume they’re doing. Plus of course there’s plenty of blood, decapitation and screaming.”
  • My other review: “Stylish, spooky, slick and seriously disturbing in its finale, Hollower is an accomplished piece of film-making that shifts the Mycho team of MJ Dixon and Anna McCarthy up a gear.”

Video Killer

dir. Richard Mansfield
A woman receives mysterious VHS tapes showing crudely animated, disturbing cartoons and brief glimpses of real violence. US disc released in September.
  • My review: “The result is genuinely creepy, a fascinatingly unnerving tale of justified paranoia (helped by an absolutely cracking central performance, full of credibly wide-eyed terror).”

The Girl with All the Gifts

dir. Colm McCarthy
Superlative zombie film with intriguing, original premise and great cast headed by Gemma Arterton, Paddy Considine and Glenn Close. Played UK cinemas in September.
  • No review from me. It’s running at 83% on Rotten Tomatoes.

Under the Shadow

Dir. Babak Anvari
Awesome supernatural horror film set in Tehran during the Iran-Iraq War. A woman struggles to protect her daughter from a djinn as Iraqi missiles rain down. Won three BIFAs and could seriously get an Oscar nom. In UK cinemas in September, US theatres in October.
  • I didn’t review this one, but 98% on Rotten Tomatoes says it all.

Plan Z

dir. Stuart Brennan
Impressively bleak zombie feature centred on a man who has planned ahead for just such an eventuality. American DVD in October and a UK theatrical release in November.
  • My review: “As dour and unforgiving as a Scotsman’s postcard: everything is terrible, life is empty and hopeless, almost everything we know has gone, the rest of our days will be a struggle for existence, if we’re lucky it may be short, weather fine, how are you?”

My Bloody Banjo

dir. Liam Regan
Hilarious, Troma-esque feature about a man whose invisible childhood friend returns to wreak chaos. Originally titled Banjo. Released on VOD in October, US DVD in November.
  • My review: “Banjo is a tasteless, outrageous hoot from start to finish. It’s great that someone in the UK is carrying the Tromatic torch so proudly.”

Zombie Women of Satan 2

dir. Warren Speed and Chris Greenwood
Insane sequel to notoriously insane film chronicling the further adventures of Pervo the Clown. Released on UK DVD in October. Next year’s US disc will be retitled Female Zombie Riot.
  • My review: “Just like its predecessor, Zombie Women of Satan 2 is a sort of three-way bastard stepchild of Rocky Horror, Dawn of the Dead and Viz comic. It takes no prisoners, doesn’t give a wet slap what people think, and has no truck with concepts such as good taste or restraint.”
This is a personal selection. Agree? Disagree? What was your favourite British horror film this year? Leave a comment below.

Thursday, 1 December 2016

Press release: Templeheart Films partner with The London Bridge Experience to bring The Tombs to life

UK production company Templeheart Films head into principal photography on The Tombs: Rise of the Damned, a horror movie set in The London Tombs, The London Bridge Experience’s year round horror themed tourist attraction.

Officially classed as the UK’s scariest tourist attraction, The London Tombs at the London Bridge Experience, is about to get scarier as Templeheart Films begin principal photography this week on a movie designed to bring the attraction to life.

A publicity stunt, promoting the sequel to the cult box office hit 'The Tombs', turns horribly wrong as an evil spirit trails the "celebrity" guests through the claustrophobic halls of the famous maze of terror.

Written by Michael W Smith and directed by Dan Brownlie, The Tombs: Rise of the Damned, is set entirely in the London attraction and stars Jessica Ann Brownlie (Valley of the Witch), Jess Impiazzi (The Only Way Is Essex), Marcia do Vales (Ibiza Undead), Akie Kotabe (Humans), Anthony Ilott (Wrong Turn 6), Ayvianna Snow (Heretiks) and Devora Wilde (Rush).

“Horror fans are some of independent film’s most loyal audiences, so to partner with The London Bridge Experience makes for a perfect brand partnership”, says producer Rachel Gold.  “With the success of attractions like Secret Cinema, the growth of interactive theatre shows and the explosion of VR, its obvious that audiences are crying out for new immersive experiences. So it seemed obvious to create a movie where the actual film location is open to the public to experience for themselves what our film’s characters are going through.”

Director Dan Brownlie said "As a director, I feel incredibly privileged to be filming inside the London Tombs considering this is the first time that the attraction has ever allowed third party photography of any kind to take place in this sought after location despite numerous requests including high profile production and television companies.  This is an opportunity not to be missed and I feel honoured to be trusted with the secrets of this highly protected location.  I cannot thank team at The London Bridge Experience enough."

ABOUT TEMPLEHEART FILMS
Producers, Templeheart Films, are one of the UK’s most prolific production companies having produced 30 features including The Seasoning House, The London Firm, Ibiza Undead and most recently Heretiks.  Templeheart’s first US production, the supernatural horror movie Quail Hollow, goes into production in early 2017.

ABOUT THE LONDON BRIDGE EXPERIENCE
The London Bridge Experience is a tourist attraction in Southwark, London, England, on the south bank of the River Thames where actors lead guests on a tour through the 'dark' moments of London's history.  The Experience’s sister attraction, the multi-award winning The London Tombs, is a scare attraction built in the remains of a former plague pit.