Though it still has faults (not least the ridiculous, distributor-mandated title), this Universal homage is easily Smith’s best feature to date with moments that are genuinely impressive. Three friends searching for legendary mad scientist Rathbone and his rumoured coterie of monsters find what they’re looking for and soon regret it. Though promoted as a Frankenstein/werewolf mash-up this owes more to Dr Moreau. Its biggest strength is Alex Harrison’s corking monochrome photography (with occasional well-judged colour moments), evoking the post-Universal, pre-Hammer Euro-style of Freda or Franju. A superb sequence of Rathbone re-animating his disfigured wife then dancing with an idealised fantasy version of her leads into a brief but beautiful Bava-esque nightmare as an accidental witness (Robinson, who is just fantastic) runs past caged experiments. On the downside, the script is full of narrative gaps and unexplained motivations, and Gates’ accent provokes unintended giggles, wobbling between Bela Lugosi and Colonel Klink. End theme by Dr and the Medics, with a cameo by lead singer Clive Jackson.